Material Traces: Time and the Gesture (2013)
Christopher Braddock: Take series, 2007-2013 & Above 2007
Christopher Braddock Take series, 2007-2013 (foreground), Francis Alÿs, Painting/Retoque
Ex-US Panama Canal Zone, 2008 (background)
Francis Alÿs, Painting/Retoque Ex-US Panama Canal Zone, 2008
Alexandre David, Untitled, 2013
Paul Donald & Amelia Jones
Paul Donald, Untitled (studs), 2012
Alicia Frankovich, The opportune spectator, 2012-2013
Mark Igloliorte, Untitled, from the series Observational Diptychs, 2010
Heather Cassils, Becoming an Image, 2012
Tricia Middleton, Crones, 2013
Andrew Dadson, White Plank Painting, 2010
Juliana Cerqueira Leite, the climb is also the fall, 2011 (background)
Flutura & Besnik Haxhillari (The Two Gullivers), Star’s Anatomy series, 2011-
Alex Monteith, Passing Manoeuvre with Two Motorcycles and 584 Vehicles for Two-Channel Video Installation, 2008
Angel Vegara, FEUILLETON Berlusconi Pasolini, 2011
Material Traces: Time and the Gesture, curated by Amelia Jones, Galerie Leonard & Bina Ellen, Concordia University, Montréal, Québec, Canada. Is art an object or a process? Is it “material” or “trace”? Shifts in art practice over the past 50 years, particularly in art world centers in Europe and the US, and more recently in Canada, Australia, and New Zealand, have profoundly challenged Enlightenment to modern conceptions of the work of art, in European aesthetics, defined as an object, more or less static in meaning and value over time…
Francis Alÿs
Christopher Braddock
Heather Cassils
Juliana Cerqueira Leite
Andrew Dadson
Alexandre David
Paul Donald
Alicia Frankovich
Flutura and Besnik Haxhillari (aka The Two Gullivers)
Mark Igloliorte
Tricia Middleton
Alex Monteith
Angel Vergara
February 16th to April 13th 2013
http://ellengallery.concordia.ca/en/expositions_materialtraces.php
http://m.ledevoir.com/culture/arts-visuels/374562/corps-en-action-matieres-sous-tension